sasha de sade Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΡ
utvamu
Π ΠΏΠΎΠΈΡΠΊΠ°Ρ ΡΡΡΠ°ΡΠ΅Π½Π½ΠΎΠ³ΠΎ
Π‘ΠΎΠ²Π΅ΡΡΠΊΠ°Ρ ΡΠΎΡΠ°Π»ΠΈΡΠ°ΡΠ½Π°Ρ Π΄Π΅ΠΌΠΎΠΊΡΠ°ΡΠΈΡ ΠΊΠ°ΠΊ ΠΎΠ½Π° Π΅ΡΡΡ
«Sade» Π±ΡΠ»Π° ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½Π° Π² 1982 Π³ΠΎΠ΄Ρ, ΠΊΠΎΠ³Π΄Π° ΡΡΠ°ΡΡΠ½ΠΈΠΊΠΈ Π»Π°ΡΠΈΠ½ΠΎ-ΡΠΎΡΠ» Π³ΡΡΠΏΠΏΡ «Pride» Π¨Π°Π΄Π΅ ΠΠ΄Ρ, Π‘ΡΡΠ°ΡΡ ΠΡΡΡΡΠΌΠ΅Π½ ΠΈ ΠΠΎΠ» Π‘ΠΏΠ΅Π½ΡΠ΅Ρ ΠΠ΅Π½ΠΌΠ΅Π½ Π²ΠΌΠ΅ΡΡΠ΅ Ρ ΠΠΎΠ»ΠΎΠΌ ΠΡΠΊΠΎΠΌ ΠΎΡΠ³Π°Π½ΠΈΠ·ΠΎΠ²Π°Π»ΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ Π³ΡΡΠΏΠΏΡ ΠΈ Π½Π°ΡΠ°Π»ΠΈ Π·Π°ΠΏΠΈΡΡΠ²Π°ΡΡ ΡΠ²ΠΎΠΉ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠΉ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π».
ΠΠ±ΡΠ΅ΠΏΡΠΈΠ·Π½Π°Π½ΠΎ, ΡΡΠΎ «Sade» Π²Π½Π΅ΡΠ»ΠΈ Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΠΉ Π²ΠΊΠ»Π°Π΄ Π² ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΌΡΠ·ΡΠΊΠΈ. ΠΠ½ΠΈ ΡΠ°Π·ΡΡΡΠΈΠ»ΠΈ ΠΌΠ½ΠΎΠ³ΠΈΠ΅ ΡΡΠ΅ΡΠ΅ΠΎΡΠΈΠΏΡ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π±ΠΈΠ·Π½Π΅ΡΠ° ΠΈ Π΄ΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ Π±ΡΡΡΡΠΎ ΡΡΠ°Π»ΠΈ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΡΠ°Π±ΠΎΡΠ°ΡΡΠ΅ΠΉ ΠΊΠΎΠΌΠ°Π½Π΄ΠΎΠΉ. «Sade» ΠΈΠ·Π½Π°ΡΠ°Π»ΡΠ½ΠΎ ΠΈ ΠΏΡΠ΅ΠΆΠ΄Π΅ Π²ΡΠ΅Π³ΠΎ ΠΏΠΎΠ·ΠΈΡΠΈΠΎΠ½ΠΈΡΡΠ΅Ρ ΡΠ΅Π±Ρ ΠΊΠ°ΠΊ Π³ΡΡΠΏΠΏΠ°, ΠΊΠΎΡΠΎΡΠ°Ρ Π²ΡΡΡΡΠΏΠ°Π΅Ρ Π²ΠΆΠΈΠ²ΡΡ. Π ΠΎΠ΄Π½ΠΎΠΌ ΠΈΠ· ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ Π¨Π°Π΄Π΅ ΠΠ΄Ρ ΡΠΊΠ°Π·Π°Π»Π°: «ΠΠΎΠ³Π΄Π° ΠΌΡ Π²ΡΡΡΡΠΏΠ°Π΅ΠΌ, Ρ ΠΏΠΎΠ½ΠΈΠΌΠ°Ρ, ΡΡΠΎ Π»ΡΠ΄ΡΠΌ Π½ΡΠ°Π²ΠΈΡΡΡ ΡΡΠ° ΠΌΡΠ·ΡΠΊΠ°. Π― ΠΌΠΎΠ³Ρ ΡΡΠ²ΡΡΠ²ΠΎΠ²Π°ΡΡ ΡΡΠΎ». ΠΠ° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ Π²ΡΠ΅ΠΉ ΡΠ²ΠΎΠ΅ΠΉ ΠΈΡΡΠΎΡΠΈΠΈ «Sade» ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°Π»ΠΈ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΡ, ΠΌΠ½ΠΎΠ³ΠΎΠ½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ Π°ΡΠ΄ΠΈΡΠΎΡΠΈΡ, ΠΊΠΎΡΠΎΡΡΡ ΠΏΠΎΠΊΠΎΡΡΠ΅Ρ Π½Π΅ΠΏΡΠ΅Π΄ΡΠ±Π΅ΠΆΠ΄Π΅Π½Π½ΡΠΉ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ Π³ΡΡΠΏΠΏΡ ΠΊ ΠΌΡΠ·ΡΠΊΠ΅.
ΠΠΈΠΎΠ³ΡΠ°ΡΠΈΡ Π¨Π°Π΄Π΅ ΠΠ΄Ρ
Π¨Π°Π΄Π΅ ΡΠΎΠ΄ΠΈΠ»Π°ΡΡ 16 ΡΠ½Π²Π°ΡΡ 1959 Π³ΠΎΠ΄Π° Π² ΠΠ±Π°Π΄Π°Π½Π΅, ΠΠΈΠ³Π΅ΡΠΈΡ. ΠΡ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ, Π½ΠΈΠ³Π΅ΡΠΈΠΉΡΠΊΠΈΠΉ ΠΏΡΠ΅ΠΏΠΎΠ΄Π°Π²Π°ΡΠ΅Π»Ρ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΠΊΠΈ ΠΠΈΠ·ΠΈ ΠΠ΄Ρ ΠΈ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠ°Ρ ΠΌΠ΅Π΄ΡΠ΅ΡΡΡΠ° ΠΠ½Π½ Π₯Π΅ΠΉΠ·, ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»ΠΈΡΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅, ΠΈ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π»ΠΈ Π² ΠΠ°ΠΏΠ°Π΄Π½ΡΡ ΠΡΡΠΈΠΊΡ. ΠΠΎΠ·ΠΆΠ΅, ΠΊΠΎΠ³Π΄Π° Π±ΡΠ°ΠΊ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π» ΡΡΡΠ΄Π½ΠΎΡΡΠΈ, ΠΠ½Π½ Π²Π΅ΡΠ½ΡΠ»Π°ΡΡ Π² ΠΠ΅Π»ΠΈΠΊΠΎΠ±ΡΠΈΡΠ°Π½ΠΈΡ, ΠΊ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΡΠΌ, Π·Π°Π±ΡΠ°Π² ΡΠ΅ΡΡΡΡΡ Π»Π΅ΡΠ½ΡΡ Π¨Π°Π΄Π΅ ΠΈ Π΅Ρ ΡΡΠ°ΡΡΠ΅Π³ΠΎ Π±ΡΠ°ΡΠ° ΠΠ°Π½ΡΠΈ.
Π Π½Π°ΡΠ°Π»Π΅ 1970-Ρ Π³ΠΎΠ΄ΠΎΠ², ΠΆΠΈΠ²Ρ Π² ΠΠΎΠ»ΡΠ΅ΡΡΠ΅ΡΠ΅, ΠΠ΅Π»ΠΈΠΊΠΎΠ±ΡΠΈΡΠ°Π½ΠΈΡ, Π¨Π°Π΄Π΅ ΠΌΠ½ΠΎΠ³ΠΎ ΡΠΈΡΠ°Π»Π°, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°Π»Π°ΡΡ ΠΌΠΎΠ΄ΠΎΠΉ, ΠΎΠ²Π»Π°Π΄Π΅Π²Π°Π»Π° ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠΌ ΡΠ°Π½ΡΠ° ΠΈ Ρ ΡΠ΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΈΠ΅ΠΌ ΡΠ»ΡΡΠ°Π»Π° ΡΠ°ΠΊΠΈΡ ΡΠΎΡΠ»-ΠΈΡΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»Π΅ΠΉ, ΠΊΠ°ΠΊ ΠΠ΅ΡΡΠΈΡ ΠΡΠΉΡΠΈΠ»Π΄, ΠΠΎΠ½Π½ΠΈ Π₯ΡΡΡΠ²Π΅ΠΉ ΠΈ ΠΠ°ΡΠ²ΠΈΠ½ ΠΠ΅ΠΉ.
Π 1977 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΠΏΡΠΈΠ΅Ρ Π°Π»Π° Π² ΠΠΎΠ½Π΄ΠΎΠ½ Π΄Π»Ρ ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ ΡΡΠ΅Ρ Π»Π΅ΡΠ½Π΅Π³ΠΎ ΠΊΡΡΡΠ° Π΄ΠΈΠ·Π°ΠΉΠ½Π° ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π² Π₯ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΌ ΠΠΎΠ»Π»Π΅Π΄ΠΆΠ΅ Π‘Π². ΠΠ°ΡΡΠΈΠ½Π°. ΠΠΎΠ»ΡΡΠΈΠ² Π²ΡΡΡΠ΅Π΅ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΠ΅, ΠΎΠ½Π° Ρ ΠΏΠΎΠ΄ΡΡΠ³ΠΎΠΉ ΠΠΆΠΎΠ΅ΠΉ ΠΠ΅Π»Π»ΠΎΡ ΠΎΡΠΊΡΡΠ»Π° Π½Π΅Π±ΠΎΠ»ΡΡΠΎΠ΅ ΠΌΠΎΠ΄Π΅Π»ΡΠ½ΠΎΠ΅ Π°ΡΠ΅Π»ΡΠ΅ ΠΏΠΎ ΠΏΠΎΡΠΈΠ²Ρ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π² ΠΠΎΠ½Π΄ΠΎΠ½ΡΠΊΠΎΠΉ «Chalk Farm». Π’Π°ΠΊΠΆΠ΅ ΠΎΠ½Π° ΡΠ°Π±ΠΎΡΠ°Π»Π° ΡΠΎΡΠΎΠΌΠΎΠ΄Π΅Π»ΡΡ.
Π 1980 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»Π°ΡΡ Ρ ΠΠΈ ΠΠ°ΡΡΠ΅ΡΠΎΠΌ, ΠΌΠ΅Π½Π΅Π΄ΠΆΠ΅ΡΠΎΠΌ Π»Π°ΡΠΈΠ½ΠΎ-ΡΠΎΡΠ» Π³ΡΡΠΏΠΏΡ «Arriva». ΠΠ½Π° ΠΏΡΠΈΡΠΎΠ΅Π΄ΠΈΠ½ΠΈΠ»Π°ΡΡ ΠΊ Π³ΡΡΠΏΠΏΠ΅ «Arriva» ΠΈ Π½Π°ΡΠ°Π»Π° ΠΏΠΈΡΠ°ΡΡ ΡΠ²ΠΎΠΈ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΏΠ΅ΡΠ½ΠΈ.
Π 1982 Π³ΠΎΠ΄Ρ, Π±ΡΠ΄ΡΡΠΈ ΡΡΠ°ΡΡΠ½ΠΈΡΠ΅ΠΉ Π³ΡΡΠΏΠΏΡ «Pride», Π¨Π°Π΄Π΅ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»Π°ΡΡ ΡΠΎ Π‘ΡΡΠ°ΡΡΠΎΠΌ ΠΡΡΡΡΠΌΠ΅Π½ΠΎΠΌ ΠΈ ΠΠΎΠ»ΠΎΠΌ Π‘ΠΏΠ΅Π½ΡΠ΅ΡΠΎΠΌ ΠΠ΅Π½ΠΌΠ΅Π½ΠΎΠΌ. ΠΠΌΠ΅ΡΡΠ΅ Ρ ΠΠΎΠ»ΠΎΠΌ ΠΡΠΊΠΎΠΌ ΠΎΠ½ΠΈ ΠΎΡΠ³Π°Π½ΠΈΠ·ΠΎΠ²Π°Π»ΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ Π³ΡΡΠΏΠΏΡ, Π½Π°Π·Π²Π°Π½Π½ΡΡ «Sade», ΠΈ Π½Π°ΡΠ°Π»ΠΈ ΠΏΠΈΡΠ°ΡΡ ΡΠ²ΠΎΠΉ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠΉ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π». ΠΠΎΠ·Π΄Π½Π΅Π΅ ΠΊ Π³ΡΡΠΏΠΏΠ΅ ΠΏΡΠΈΡΠΎΠ΅Π΄ΠΈΠ½ΠΈΠ»ΡΡ ΠΠ½Π΄ΡΡ Π₯ΡΠΉΠ», Π° ΠΠΎΠ» ΠΡΠΊ ΠΏΠΎΠΊΠΈΠ½ΡΠ» Π³ΡΡΠΏΠΏΡ.
18 ΠΎΠΊΡΡΠ±ΡΡ 1983 Π³ΠΎΠ΄Π° Π¨Π°Π΄Π΅ ΠΏΠΎΠ΄ΠΏΠΈΡΠ°Π»Π° ΠΊΠΎΠ½ΡΡΠ°ΠΊΡ ΡΠΎ Π·Π²ΡΠΊΠΎΠ·Π°ΠΏΠΈΡΡΠ²Π°ΡΡΠ΅ΠΉ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠ΅ΠΉ «Epic Records».
Π 1985 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΡΠ½ΡΠ»Π°ΡΡ Π² ΡΠΈΠ»ΡΠΌΠ΅ «Absolute Beginners», ΡΠ½ΡΡΠΎΠΌ ΡΠ΅ΠΆΠΈΡΡΡΡΠΎΠΌ ΠΠΆΡΠ»ΠΈΠ°Π½ΠΎΠΌ Π’Π΅ΠΌΠΏΠ»ΠΎΠΌ. ΠΠ½Π° ΡΡΠ³ΡΠ°Π»Π° ΠΏΠ΅Π²ΠΈΡΡ ΠΡΠΈΠ½Ρ ΠΡΠ½ΠΊΠ°Π½ΠΎΠ½, ΠΈΡΠΏΠΎΠ»Π½ΠΈΠ² «Killer Blow», Π½Π°ΠΏΠΈΡΠ°Π½Π½ΡΡ Π΅Ρ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎ Ρ Π‘Π°ΠΉΠΌΠΎΠ½ΠΎΠΌ ΠΡΡΠΎΠΌ ΠΈΠ· ΡΠΎΡΠ»-Π΄ΠΆΠ°Π·ΠΎΠ²ΠΎΠ³ΠΎ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠ²Π° «Working Week».
Π 1986 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π»Π° Π² ΠΠ°Π΄ΡΠΈΠ΄, Π² ΠΡΠΏΠ°Π½ΠΈΡ.
11 ΠΎΠΊΡΡΠ±ΡΡ 1989 Π³ΠΎΠ΄Π° Π² ΡΡΠ°ΡΠΈΠ½Π½ΠΎΠΌ Π·Π°ΠΌΠΊΠ΅ «Vinuelas» Π² ΠΠ°Π΄ΡΠΈΠ΄Π΅ Π¨Π°Π΄Π΅ Π²ΡΡΠ»Π° Π·Π°ΠΌΡΠΆ Π·Π° ΠΠ°ΡΠ»ΠΎΡΠ° Π‘ΠΊΠΎΠ»Ρ, ΠΈΡΠΏΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΊΠΈΠ½ΠΎΡΠ΅ΠΆΠΈΡΡΡΡΠ°. ΠΠΎ ΡΡΠΎΡ Π±ΡΠ°ΠΊ ΠΎΠΊΠ°Π·Π°Π»ΡΡ Π½Π΅ΡΡΠ°ΡΡΠ»ΠΈΠ²ΡΠΌ ΠΈ Π²ΡΠΊΠΎΡΠ΅ ΡΠ°ΡΠΏΠ°Π»ΡΡ.
Π 1990 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ Π²Π΅ΡΠ½ΡΠ»Π°ΡΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½.
Π ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Π΅ 1990-Ρ Π³ΠΎΠ΄ΠΎΠ² Π¨Π°Π΄Π΅ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π»Π° Π² ΠΡΠΎ Π ΠΈΠΎΡ, Π―ΠΌΠ°ΠΉΠΊΠ°, Π³Π΄Π΅ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»Π°ΡΡ Ρ ΠΠΎΠ±Π±ΠΈ ΠΠΎΡΠ³Π°Π½ΠΎΠΌ, ΡΠΌΠ°ΠΉΡΠΊΠΈΠΌ ΠΏΡΠΎΠ΄ΡΡΠ΅ΡΠΎΠΌ. 21 ΠΈΡΠ»Ρ 1996 Π³ΠΎΠ΄Π° ΠΎΠ½Π° ΡΠΎΠ΄ΠΈΠ»Π° Π΄ΠΎΡΡ ΠΠ»Ρ.
Π 1997 Π³ΠΎΠ΄Ρ Π² ΠΠΎΠ½ΡΠ΅Π³ΠΎ ΠΠ΅ΠΉ, Π―ΠΌΠ°ΠΉΠΊΠ°, Π¨Π°Π΄Π΅ Π±ΡΠ»ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ²Π»Π΅Π½Ρ ΠΎΠ±Π²ΠΈΠ½Π΅Π½ΠΈΡ Π² ΡΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠΈ Π°Π²ΡΠΎΠΌΠΎΠ±ΠΈΠ»Π΅ΠΌ, ΡΠΎΠ·Π΄Π°Π²Π°Π²ΡΠ΅ΠΌ Π°Π²Π°ΡΠΈΠΉΠ½ΡΡ ΡΠΈΡΡΠ°ΡΠΈΡ, ΠΈ Π½Π΅ΠΏΠΎΠ΄ΡΠΈΠ½Π΅Π½ΠΈΠΈ ΠΎΡΠΈΡΠ΅ΡΡ ΠΏΠΎΠ»ΠΈΡΠΈΠΈ. ΠΠΎΠ·Π΄Π½Π΅Π΅ Π―ΠΌΠ°ΠΉΡΠΊΠΈΠΉ ΡΡΠ΄ Π²ΡΠ΄Π°Π» ΠΎΡΠ΄Π΅Ρ Π½Π° Π°ΡΠ΅ΡΡ Π¨Π°Π΄Π΅, ΠΊΠΎΠ³Π΄Π° ΠΎΠ½Π° Π½Π΅ ΡΠΌΠΎΠ³Π»Π° ΡΠ²ΠΈΡΡΡΡ Π² ΡΡΠ΄, ΡΡΠΎΠ±Ρ ΠΎΡΠ²Π΅ΡΠΈΡΡ Π½Π° ΠΎΠ±Π²ΠΈΠ½Π΅Π½ΠΈΡ. ΠΠΎ ΠΌΠ΅Π΄ΠΈΡΠΈΠ½ΡΠΊΠΎΠ΅ Π·Π°ΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΠΎ Π³ΠΎΡΠΏΠΈΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ Π΅Ρ Π΄ΠΎΡΠ΅ΡΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΠ»ΠΎ ΠΏΡΠΈΠΎΡΡΠ°Π½ΠΎΠ²ΠΈΡΡ Π΄Π΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΎΡΠ΄Π΅ΡΠ° Π½Π° Π°ΡΠ΅ΡΡ.
Π 2005 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ Π·Π°ΠΏΠΈΡΠ°Π»Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ «Mum», ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ Π΄Π»Ρ DVD «Voices For Darfur» Ρ Π·Π°ΠΏΠΈΡΡΡ Π±Π»Π°Π³ΠΎΡΠ²ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ°, ΠΏΡΠΎΡΠ΅Π΄ΡΠ΅Π³ΠΎ 8 Π΄Π΅ΠΊΠ°Π±ΡΡ 2004 Π³ΠΎΠ΄Π° Π² ΠΠΎΡΠΎΠ»Π΅Π²ΡΠΊΠΎΠΌ ΠΠ»ΡΠ±Π΅ΡΡ-Π₯ΠΎΠ»Π»Π΅ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅ ΠΈ ΠΏΡΠΈΠ·Π²Π°Π½Π½ΠΎΠ³ΠΎ ΡΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΎΠ²Π°ΡΡ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½ΠΈΡ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ ΠΈ ΡΠ±ΠΎΡΡ ΡΡΠ΅Π΄ΡΡΠ² Π΄Π»Ρ ΡΠ΅ΡΠ΅Π½ΠΈΡ ΠΊΡΠΈΠ·ΠΈΡΠ° Π² Π·ΠΎΠ½Π΅ ΠΠ°ΡΡΡΡΠ°, Π‘ΡΠ΄Π°Π½.
Π‘Π΅Π³ΠΎΠ΄Π½Ρ Π¨Π°Π΄Π΅ ΠΆΠΈΠ²ΡΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅.
Π¨Π°Π΄Π΅ Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ ΡΡΠ°ΡΠ°Π»Π°ΡΡ Π±ΡΡΡ ΠΎΠ±ΡΠ°Π·ΡΠΎΠΌ Π΄Π»Ρ ΠΏΠΎΠ΄ΡΠ°ΠΆΠ°Π½ΠΈΡ. ΠΠ½Π° ΡΡΡΠΎΠΈΠ»Π° ΡΠ²ΠΎΡ ΠΆΠΈΠ·Π½Ρ ΠΏΡΡΠ°ΡΡΡ ΠΏΠΎΡΡΡΠΏΠ°ΡΡ ΡΠ°ΠΊ, ΠΊΠ°ΠΊ ΠΏΠΎΠ΄ΡΠΊΠ°Π·ΡΠ²Π°Π»ΠΈ ΡΡΠ²ΡΡΠ²Π°, ΡΠ΅ΡΡΠ½ΠΎ ΠΈ ΠΈΡΠΊΡΠ΅Π½Π½Π΅. ΠΠ½Π° Π²ΡΠ΅Π³Π΄Π° Π±ΡΠ»Π° Π²Π΅ΡΠ½ΠΎΠΉ ΡΠ°ΠΌΠΎΠΉ ΡΠ΅Π±Π΅ ΠΈ Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ ΡΠ»Π° Π½Π° ΠΊΠΎΠΌΠΏΡΠΎΠΌΠΈΡΡ ΡΠΎ ΡΠ²ΠΎΠΈΠΌΠΈ ΠΏΡΠΈΠ½ΡΠΈΠΏΠ°ΠΌΠΈ ΠΈ ΡΠ²ΠΎΠ΅ΠΉ ΠΌΡΠ·ΡΠΊΠΎΠΉ.
ΠΠ»Ρ ΠΌΠΈΠ»Π»ΠΈΠΎΠ½ΠΎΠ² ΡΠ²ΠΎΠΈΡ ΠΏΠΎΠΊΠ»ΠΎΠ½Π½ΠΈΠΊΠΎΠ² Π²ΠΎ Π²ΡΠ΅ΠΌ ΠΌΠΈΡΠ΅ ΠΈ Π΄Π»Ρ ΠΌΠ½ΠΎΠ³ΠΎΡΠΈΡΠ»Π΅Π½Π½ΡΡ ΠΏΠ΅Π²ΡΠΎΠ² ΠΈ ΠΌΡΠ·ΡΠΊΠ°Π½ΡΠΎΠ², ΠΊΠΎΡΠΎΡΡΠ΅ Π²ΡΡΠ°ΠΆΠ°ΡΡ «Sade» ΡΠ²ΠΎΡ Π±Π»Π°Π³ΠΎΠ΄Π°ΡΠ½ΠΎΡΡΡ, Π¨Π°Π΄Π΅ ΠΠ΄Ρ ΠΎΡΡΠ°ΡΡΡΡ Π½Π΅ΠΈΠ·ΠΌΠ΅Π½Π½ΡΠΌ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠΌ Π²Π΄ΠΎΡ Π½ΠΎΠ²Π΅Π½ΠΈΡ.
Π¨Π°Π΄Π΅ ΠΠ΄Ρ (Sade Adu)
Π¨Π°Π΄Π΅ ΠΠ΄Ρ (Sade Adu), ΡΡΠΎΠΆΠ΄ΡΠ½Π½Π°Ρ Π₯Π΅Π»Π΅Π½ Π€ΠΎΠ»Π°ΡΠ°Π΄Π΅ ΠΠ΄Ρ (Helen Folasade Adu). Π ΠΎΠ΄ΠΈΠ»Π°ΡΡ 16 ΡΠ½Π²Π°ΡΡ 1959 Π³ΠΎΠ΄Π° Π² ΠΠ±Π°Π΄Π°Π½Π΅, (ΠΠΈΠ³Π΅ΡΠΈΡ). ΠΡΠΈΡΠ°Π½ΡΠΊΠ°Ρ ΠΏΠ΅Π²ΠΈΡΠ° Π½ΠΈΠ³Π΅ΡΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΡ, ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΎΡ, Π°Π²ΡΠΎΡ ΠΏΠ΅ΡΠ΅Π½, Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΡΠΈΡΠ°, ΠΏΡΠΎΠ΄ΡΡΠ΅Ρ. ΠΠΎΠΊΠ°Π»ΠΈΡΡΠΊΠ° Π³ΡΡΠΏΠΏΡ Sade.
Π¨Π°Π΄Π΅ ΠΠ΄Ρ ΡΠΎΠ΄ΠΈΠ»Π°ΡΡ 16 ΡΠ½Π²Π°ΡΡ 1959 Π³ΠΎΠ΄Π° Π² Π³ΠΎΡΠΎΠ΄Π΅ ΠΠ±Π°Π΄Π°Π½Π΅.
ΠΡ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»ΠΈΡΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅, ΠΈ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π»ΠΈ Π² ΠΠ°ΠΏΠ°Π΄Π½ΡΡ ΠΡΡΠΈΠΊΡ. ΠΠΎΠ·ΠΆΠ΅, ΠΊΠΎΠ³Π΄Π° Π±ΡΠ°ΠΊ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π» ΡΡΡΠ΄Π½ΠΎΡΡΠΈ, ΠΠ½Π½ Π²Π΅ΡΠ½ΡΠ»Π°ΡΡ Π² ΠΠ΅Π»ΠΈΠΊΠΎΠ±ΡΠΈΡΠ°Π½ΠΈΡ, ΠΊ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΡΠΌ, Π·Π°Π±ΡΠ°Π² ΡΠ΅ΡΡΡΡΡ Π»Π΅ΡΠ½ΡΡ Π¨Π°Π΄Π΅ ΠΈ Π΅Ρ ΡΡΠ°ΡΡΠ΅Π³ΠΎ Π±ΡΠ°ΡΠ°.
Π’Π°ΠΌ Π¨Π°Π΄Π΅ ΠΌΠ½ΠΎΠ³ΠΎ ΡΠΈΡΠ°Π»Π°, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°Π»Π°ΡΡ ΠΌΠΎΠ΄ΠΎΠΉ, Π±ΡΠ°Π»Π° ΡΡΠΎΠΊΠΈ ΠΏΠΎ ΡΠ°Π½ΡΠ°ΠΌ ΠΈ Ρ ΡΠ΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΈΠ΅ΠΌ ΡΠ»ΡΡΠ°Π»Π° ΡΠ°ΠΊΠΈΡ ΡΠΎΡΠ»-ΠΈΡΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»Π΅ΠΉ, ΠΊΠ°ΠΊ: ΠΠ΅ΡΡΠΈΡ ΠΡΠΉΡΠΈΠ»Π΄, ΠΠΎΠ½Π½ΠΈ Π₯ΡΡΡΠ²Π΅ΠΉ ΠΈ ΠΠ°ΡΠ²ΠΈΠ½ ΠΠ΅ΠΉ.
Π 1977 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΠΏΡΠΈΠ΅Ρ Π°Π»Π° Π² ΠΠΎΠ½Π΄ΠΎΠ½ Π΄Π»Ρ ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ ΡΡΠ΅Ρ Π»Π΅ΡΠ½Π΅Π³ΠΎ ΠΊΡΡΡΠ° Π΄ΠΈΠ·Π°ΠΉΠ½Π° ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π² Π₯ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΌ ΠΊΠΎΠ»Π»Π΅Π΄ΠΆΠ΅ Π‘Π². ΠΠ°ΡΡΠΈΠ½Π°. ΠΠΎΠ»ΡΡΠΈΠ² Π²ΡΡΡΠ΅Π΅ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΠ΅, ΠΎΠ½Π° Ρ ΠΏΠΎΠ΄ΡΡΠ³ΠΎΠΉ ΠΠΆΠΎΠ΅ΠΉ ΠΠ΅Π»Π»ΠΎΡ ΠΎΡΠΊΡΡΠ»Π° Π½Π΅Π±ΠΎΠ»ΡΡΠΎΠ΅ ΠΌΠΎΠ΄Π΅Π»ΡΠ½ΠΎΠ΅ Π°ΡΠ΅Π»ΡΠ΅ ΠΏΠΎ ΠΏΠΎΡΠΈΠ²Ρ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π² ΠΠΎΠ½Π΄ΠΎΠ½ΡΠΊΠΎΠΉ Chalk Farm. Π’Π°ΠΊΠΆΠ΅ Π½Π΅ΠΊΠΎΡΠΎΡΠΎΠ΅ Π²ΡΠ΅ΠΌΡ ΡΠ°Π±ΠΎΡΠ°Π»Π° ΡΠΎΡΠΎΠΌΠΎΠ΄Π΅Π»ΡΡ.
Π 1980 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»Π°ΡΡ Ρ ΠΠΈ ΠΠ°ΡΡΠ΅ΡΠΎΠΌ, ΠΌΠ΅Π½Π΅Π΄ΠΆΠ΅ΡΠΎΠΌ Π»Π°ΡΠΈΠ½ΠΎ-ΡΠΎΡΠ» Π³ΡΡΠΏΠΏΡ Arriva. ΠΠ½Π° ΠΏΡΠΈΡΠΎΠ΅Π΄ΠΈΠ½ΠΈΠ»Π°ΡΡ ΠΊ Π³ΡΡΠΏΠΏΠ΅ ΠΈ Π½Π°ΡΠ°Π»Π° ΠΏΠΈΡΠ°ΡΡ ΡΠ²ΠΎΠΈ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΏΠ΅ΡΠ½ΠΈ.
Π 1982 Π³ΠΎΠ΄Ρ, Π±ΡΠ΄ΡΡΠΈ ΡΡΠ°ΡΡΠ½ΠΈΡΠ΅ΠΉ Π³ΡΡΠΏΠΏΡ Pride, ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»Π°ΡΡ ΡΠΎ Π‘ΡΡΠ°ΡΡΠΎΠΌ ΠΡΡΡΡΠΌΠ΅Π½ΠΎΠΌ ΠΈ ΠΠΎΠ»ΠΎΠΌ Π‘ΠΏΠ΅Π½ΡΠ΅ΡΠΎΠΌ ΠΠ΅Π½ΠΌΠ΅Π½ΠΎΠΌ. ΠΠΌΠ΅ΡΡΠ΅ Ρ ΠΠΎΠ»ΠΎΠΌ ΠΡΠΊΠΎΠΌ ΠΎΠ½ΠΈ ΠΎΡΠ³Π°Π½ΠΈΠ·ΠΎΠ²Π°Π»ΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ Π³ΡΡΠΏΠΏΡ, Π½Π°Π·Π²Π°Π½Π½ΡΡ Β«SadeΒ», ΠΈ Π½Π°ΡΠ°Π»ΠΈ ΠΏΠΈΡΠ°ΡΡ ΡΠ²ΠΎΠΉ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠΉ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π». ΠΠΎΠ·Π΄Π½Π΅Π΅ ΠΊ Π³ΡΡΠΏΠΏΠ΅ ΠΏΡΠΈΡΠΎΠ΅Π΄ΠΈΠ½ΠΈΠ»ΡΡ ΠΠ½Π΄ΡΡ Π₯ΡΠΉΠ», Π° ΠΠΎΠ» ΠΡΠΊ ΠΏΠΎΠΊΠΈΠ½ΡΠ» Π³ΡΡΠΏΠΏΡ.
Π‘ΠΏΡΡΡΡ Π³ΠΎΠ΄ ΠΏΠ΅Π²ΠΈΡΠ° ΠΏΠΎΠ΄ΠΏΠΈΡΠ°Π»Π° ΠΊΠΎΠ½ΡΡΠ°ΠΊΡ ΡΠΎ Π·Π²ΡΠΊΠΎΠ·Π°ΠΏΠΈΡΡΠ²Π°ΡΡΠ΅ΠΉ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠ΅ΠΉ Epic Records.
Π 1985 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΡΠ½ΡΠ»Π°ΡΡ Π² ΡΠΈΠ»ΡΠΌΠ΅ Β«ΠΠ±ΡΠΎΠ»ΡΡΠ½ΡΠ΅ Π½ΠΎΠ²ΠΈΡΠΊΠΈΒ». ΠΠ½Π° ΡΡΠ³ΡΠ°Π»Π° ΠΏΠ΅Π²ΠΈΡΡ ΠΡΠΈΠ½Ρ ΠΡΠ½ΠΊΠ°Π½ΠΎΠ½, ΠΈΡΠΏΠΎΠ»Π½ΠΈΠ² Killer Blow, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΡΡ Π΅Ρ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎ Ρ Π‘Π°ΠΉΠΌΠΎΠ½ΠΎΠΌ ΠΡΡΠΎΠΌ ΠΈΠ· ΡΠΎΡΠ»-Π΄ΠΆΠ°Π·ΠΎΠ²ΠΎΠ³ΠΎ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠ²Π° Working Week.
Π ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Π΅ 1990-Ρ Π³ΠΎΠ΄ΠΎΠ² ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π»Π° Π² ΠΡΠΎ-Π ΠΈΠΎΡ, Π―ΠΌΠ°ΠΉΠΊΠ°.
Π 1997 Π³ΠΎΠ΄Ρ Π² ΠΠΎΠ½ΡΠ΅Π³ΠΎ ΠΠ΅ΠΉ (Π―ΠΌΠ°ΠΉΠΊΠ°) Π¨Π°Π΄Π΅ Π±ΡΠ»ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ²Π»Π΅Π½Ρ ΠΎΠ±Π²ΠΈΠ½Π΅Π½ΠΈΡ Π² ΡΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠΈ Π°Π²ΡΠΎΠΌΠΎΠ±ΠΈΠ»Π΅ΠΌ, ΡΠΎΠ·Π΄Π°Π²Π°Π²ΡΠ΅ΠΌ Π°Π²Π°ΡΠΈΠΉΠ½ΡΡ ΡΠΈΡΡΠ°ΡΠΈΡ, ΠΈ Π½Π΅ΠΏΠΎΠ΄ΡΠΈΠ½Π΅Π½ΠΈΠΈ ΠΎΡΠΈΡΠ΅ΡΡ ΠΏΠΎΠ»ΠΈΡΠΈΠΈ. ΠΠΎΠ·Π΄Π½Π΅Π΅ ΡΠΌΠ°ΠΉΡΠΊΠΈΠΉ ΡΡΠ΄ Π²ΡΠ΄Π°Π» ΠΎΡΠ΄Π΅Ρ Π½Π° Π΅Ρ Π°ΡΠ΅ΡΡ, ΠΊΠΎΠ³Π΄Π° ΠΎΠ½Π° Π½Π΅ ΡΠΌΠΎΠ³Π»Π° ΡΠ²ΠΈΡΡΡΡ Π² ΡΡΠ΄, ΡΡΠΎΠ±Ρ ΠΎΡΠ²Π΅ΡΠΈΡΡ Π½Π° ΠΎΠ±Π²ΠΈΠ½Π΅Π½ΠΈΡ, Π½ΠΎ ΠΌΠ΅Π΄ΠΈΡΠΈΠ½ΡΠΊΠΎΠ΅ Π·Π°ΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΠΎ Π³ΠΎΡΠΏΠΈΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ Π΅Ρ Π΄ΠΎΡΠ΅ΡΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΠ»ΠΎ ΠΏΡΠΈΠΎΡΡΠ°Π½ΠΎΠ²ΠΈΡΡ Π΄Π΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΎΡΠ΄Π΅ΡΠ° Π½Π° Π°ΡΠ΅ΡΡ.
Π 2005 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ Π·Π°ΠΏΠΈΡΠ°Π»Π° ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ Mum, ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ Π΄Π»Ρ DVD Voices For Darfur Ρ Π·Π°ΠΏΠΈΡΡΡ Π±Π»Π°Π³ΠΎΡΠ²ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ°, ΠΏΡΠΎΡΠ΅Π΄ΡΠ΅Π³ΠΎ 8 Π΄Π΅ΠΊΠ°Π±ΡΡ 2004 Π³ΠΎΠ΄Π° Π² ΠΠΎΡΠΎΠ»Π΅Π²ΡΠΊΠΎΠΌ ΠΠ»ΡΠ±Π΅ΡΡ-Π₯ΠΎΠ»Π»Π΅ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅ ΠΈ ΠΏΡΠΈΠ·Π²Π°Π½Π½ΠΎΠ³ΠΎ ΡΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΎΠ²Π°ΡΡ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½ΠΈΡ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ ΠΈ ΡΠ±ΠΎΡΡ ΡΡΠ΅Π΄ΡΡΠ² Π΄Π»Ρ ΡΠ΅ΡΠ΅Π½ΠΈΡ ΠΊΡΠΈΠ·ΠΈΡΠ° Π² Π·ΠΎΠ½Π΅ ΠΠ°ΡΡΡΡΠ°, Π‘ΡΠ΄Π°Π½.
Π¨Π΅ΡΡΠΎΠΉ ΡΡΡΠ΄ΠΈΠΉΠ½ΡΠΉ Π°Π»ΡΠ±ΠΎΠΌ Π³ΡΡΠΏΠΏΡ Soldier of Love Π±ΡΠ» Π²ΡΠΏΡΡΠ΅Π½ 8 ΡΠ΅Π²ΡΠ°Π»Ρ 2010 Π³ΠΎΠ΄Π° ΠΈ ΡΠ²Π»ΡΠ»ΡΡ ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠΌ Π°Π»ΡΠ±ΠΎΠΌΠΎΠΌ Π·Π° Π΄Π΅ΡΡΡΡ Π»Π΅Ρ, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ Π±ΡΠ»ΠΈ Π·Π°ΠΏΠΈΡΠ°Π½Ρ Π½ΠΎΠ²ΡΠ΅ ΠΏΠ΅ΡΠ½ΠΈ.
Π ΠΎΡΡ Π¨Π°Π΄Π΅ ΠΠ΄Ρ: 170 ΡΠ°Π½ΡΠΈΠΌΠ΅ΡΡΠΎΠ².
ΠΠΈΡΠ½Π°Ρ ΠΆΠΈΠ·Π½Ρ Π¨Π°Π΄Π΅ ΠΠ΄Ρ:
Π 1980 Π³ΠΎΠ΄Ρ ΡΠΎΡΡΠΎΡΠ»Π° Π² Π±ΡΠ°ΠΊΠ΅ Ρ Π°ΠΊΡΡΡΠΎΠΌ Π ΠΎΠ±Π΅ΡΡΠΎΠΌ ΠΠ»ΠΌΡΠΎΠΌ.
Π‘ 1989 ΠΏΠΎ 1995 Π³ΠΎΠ΄ Π±ΡΠ»Π° Π·Π°ΠΌΡΠΆΠ΅ΠΌ Π·Π° ΠΠ°ΡΠ»ΠΎΡΠ° Π‘ΠΊΠΎΠ»Π° ΠΠ»ΠΈΠ΅Π³ΠΎ, ΠΈΡΠΏΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΡΠ΅ΠΆΠΈΡΡΡΡΠ°.
ΠΠΎΠ΄ ΠΊΠΎΠ½Π΅Ρ 1995 Π³ΠΎΠ΄Π° ΠΈΠΌΠ΅Π»Π° ΡΠΎΠΌΠ°Π½ Ρ ΡΠΌΠ°ΠΉΡΠΊΠΈΠΌ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΠΌ ΠΏΡΠΎΠ΄ΡΡΠ΅ΡΠΎΠΌ ΠΠΎΠ±ΠΎΠΌ ΠΠΎΡΠ³Π°Π½ΠΎΠΌ. Π£ Π½ΠΈΡ Π΅ΡΡΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½Π°Ρ Π΄ΠΎΡΡ ΠΠ»Ρ (1996).
ΠΠΈΡΠΊΠΎΠ³ΡΠ°ΡΠΈΡ Π¨Π°Π΄Π΅ ΠΠ΄Ρ:
Π‘ΠΈΠ½Π³Π»Ρ Π¨Π°Π΄Π΅ ΠΠ΄Ρ:
ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅Π΅ ΠΎΠ±Π½ΠΎΠ²Π»Π΅Π½ΠΈΠ΅ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΈ: 11.06.2021
Sade | The Official Website
Official website for the British iconic band Sade.
Biography
February 2010: Soldier of Love is released, the sixth studio album the band Sade have released during their 25 year career, and the first since Lovers Rock in 2000. For Sade herself, as the lynchpin of the groupβs song writing effort, itβs a simple matter of integrity and authenticity: βI only make records when I feel I have something to say. Iβm not interested in releasing music just for the sake of selling something. Sade is not a brandβ.
The call went out in 2008 for the group to re-convene at Peter Gabrielβs Real World studios, in the countryside of south west England. It was the first time the four principals had met up since the Lovers Rock tour wrapped in 2001. Bassist Paul Spencer Denman de-camped from Los Angeles, from where he managed his sonβs punk band, Orange. Guitarist and saxophone player Stuart Matthewman interrupted his film soundtrack work in New York, and London based keyboardist Andrew Hale gave up his A&R consultancy.
In a series of fortnightly sessions at Real World, Sade sketched out the material for a new album which, they all felt, was probably their most ambitious to date. In particular, the sonic layering and martial beats of the title track, Soldier Of Love, sounded quite different from anything they had previously recorded. According to Andrew Hale: βThe big question for all of us at the beginning was, did we still want to do this, and could we still get along as friends?β The answer soon came back as a passionate affirmative.
The album was completed in the summer of 2009, mainly at Real World. The feel of the music this time had moved away from the old country soul styling of Lovers Rock and assumed a more eclectic identity. At times the band sounded like the original Sade, with Matthewman back blowing soft sax on In Another Time and the vocal on Long Hard Road hymning. But with songs such as the joyously quirky reggae chant Babyfather, and the dramatically arranged album opener The Moon and the Sky, Sade were exploring new territory. βI never want to repeat myself,β Sade herself says. βAnd that becomes a more interesting challenge for us the longer we carry on togetherβ.
Helen Folasade Adu was born in Ibadan, Nigeria. Her father was Nigerian, a university teacher of economics; her mother was an English nurse. The couple met in London while he was studying at the LSE and they moved to Nigeria shortly after getting married. When their daughter was born, nobody locally called her by her English name, and a shortened version of Folasade stuck. Then, when she was four, her parents separated, and her mother brought Sade and her elder brother back to England, where they initially lived with their grandparents just outside Colchester, Essex.
Sade grew up listening to American soul music, particularly the wave led in the 1970βs by artists such as Curtis Mayfield, Donny Hathaway, and Bill Withers. As a teenager, she saw the Jackson 5 at the Rainbow Theatre in Finsbury Park, London where she worked behind the bar at weekends. βI was more fascinated by the audience than by anything that was going on on the stage. Theyβd attracted kids, mothers with children, old people, white, black. I was really moved. Thatβs the audience Iβve always aimed forβ.
Music was not her first choice as a career. She studied fashion at St Martinβs School Of Art in London, and only began singing after two old school friends with a fledgling group approached her to help them out with the vocals.
Somewhat to her surprise, she found that while the singing made her nervous, she enjoyed writing songs. Two years later she had overcome her stage fright and was regularly singing back up with a North London Latin funk band called Pride. βI used to get on stage with Pride, like, shaking. I was terrified. But I was determined to try my best, and I decided that if I was going to sing, I would sing the way I speak, because itβs important to be yourself.β
Sade served a long apprenticeship on the road with Pride. For three years, from 1981, she and the other seven members of the band toured the UK, often with her driving. Prideβs shows featured a segment in which Sade fronted a quartet that played quieter, jazzier numbers. One of these, a song called Smooth Operator, which Sade had co-written herself, attracted the attention of record company talent scouts. Soon, everybody wanted to sign her, but not the rest of Pride. Obstinately loyal to her friends in the group, Sade refused to depart. 18 months later she relented and signed to Epic records β on condition that she took with her the three band mates who still comprise the entity known as Sade: saxophonist Stuart Matthewman, keyboard player Andrew Hale, and bassist Paul Spencer Denman.
Sadeβs first single, Your Love Is King, became a top 10 British hit in February 1984, and with that her life, and that of the band, changed forever. The unstressed, understated elegance of the music in conjunction with her look β unspecifically exotic and effortlessly sophisticated β launched Sade as the female face of the style decade. Magazines queued to put her on the cover. βIt wasnβt marketing,β she says, wearily. βIt was just me. And I wasnβt trying to promote an image.β
At the time of the first album, Diamond Life, in 1984, Sadeβs actual life was anything but diamond-like. She was living in a converted fire station in Finsbury Park, North London, with her then boyfriend, the style journalist Robert Elms. There was no heating, which meant that she had to get dressed in bed. The loo, which used to ice over in winter, was on the fire escape. The bath was in the kitchen: βWe were freezing, basicallyβ. For the remainder of the 1980βs, as the first three albums sold by the million around the world, Sade toured more or less constantly. For her this remains a point of principle. βIf you just do TV or video then you become a tool of the record industry. All youβre doing is selling a product. Itβs when I get on stage with the band and we play that I know that people love the music. I can feel it. Sometimes I yearn to be on the road. The feeling overwhelms meβ.
Intrusive media interest in her private life has inspired a continuing reluctance on her part to participate in the promotional game. Having been travestied in print on many occasions, Sade rarely gives interviews. βItβs terrible this Fleet Street mentality that if something seems simple and easy, there must be something funny going onβ.
For most of the past 20 years, Sade has prioritised her personal life over her professional career, releasing only three studio albums of new material during that period. Her marriage to the Spanish film director Carlos Scola Pliego in 1989; her childβs birth in 1996, and her move from urban London to rural Gloucestershire, where she now lives with her partner, have consumed much of her time and attention. And quite rightly so. βYou can only grow as an artist as long as you allow yourself the time to grow as a person,β Sade says. βWeβre all parents, our lives have all moved on. I couldnβt have made Soldier of Love any time before now, and though itβs been a long wait for the fans β and I am sorry about that β Iβm incredibly proud of itβ.
Π¨Π°Π΄Π΅ (Π₯Π΅Π»Π΅Π½ Π€ΠΎΠ»Π°ΡΠ°Π΄Π΅ ΠΠ΄Ρ)
ΠΠΈΠΎΠ³ΡΠ°ΡΠΈΡ Π¨Π°Π΄Π΅ (Π₯Π΅Π»Π΅Π½ Π€ΠΎΠ»Π°ΡΠ°Π΄Π΅ ΠΠ΄Ρ)
ΠΠ΅ΡΡΡΠ²ΠΎ
ΠΠ΅Π²ΠΎΡΠΊΠ°, ΠΊΠΎΡΠΎΡΠΎΠΉ Π²ΠΏΠΎΡΠ»Π΅Π΄ΡΡΠ²ΠΈΠΈ Π΄Π°Π»ΠΈ ΠΊΡΠ°ΡΠΈΠ²ΠΎΠ΅ ΠΈΠΌΡ Π₯Π΅Π»Π΅Π½ Π€ΠΎΠ»Π°ΡΠ°Π΄Π΅, ΡΠΎΠ΄ΠΈΠ»Π°ΡΡ Π² ΠΠΈΠ³Π΅ΡΠΈΠΈ 16 ΡΠ½Π²Π°ΡΡ 1959 Π³ΠΎΠ΄Π°. ΠΠΎΡΠ΅Π½Π½ΡΠΌ ΠΆΠΈΡΠ΅Π»Π΅ΠΌ ΡΡΠΎΠΉ ΡΡΡΠ°Π½Ρ Π±ΡΠ» ΡΠΎΠ»ΡΠΊΠΎ ΠΏΠ°ΠΏΠ° Π½ΠΎΠ²ΠΎΡΠΎΠΆΠ΄Π΅Π½Π½ΠΎΠΉ, ΠΠΈΠ·ΠΈ ΠΠ΄Ρ, Π° Π΅Π΅ ΠΌΠ°ΠΌΠ° β ΠΌΠ΅Π΄ΡΠ΅ΡΡΡΠ° ΠΈΠ· ΠΠ½Π³Π»ΠΈΠΈ, ΠΠ½Π½ Π₯Π΅ΠΉΠ·. Π ΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ Π² ΡΠ²ΠΎΠ΅ Π²ΡΠ΅ΠΌΡ ΠΏΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΠ»ΠΈΡΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅, Π½ΠΎ ΠΏΠΎΡΠΎΠΌ ΠΏΠ΅ΡΠ΅Π΅Ρ Π°Π»ΠΈ Π² ΠΠ°ΠΏΠ°Π΄Π½ΡΡ ΠΡΡΠΈΠΊΡ, ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΠΈΠΌΠ΅Π½Π½ΠΎ Π·Π΄Π΅ΡΡ ΠΠΈΠ·ΠΈ ΠΏΡΠ΅Π΄Π»ΠΎΠΆΠΈΠ»ΠΈ Π΄ΠΎΠ»ΠΆΠ½ΠΎΡΡΡ ΠΏΡΠΎΡΠ΅ΡΡΠΎΡΠ° Π² ΠΌΠ΅ΡΡΠ½ΠΎΠΌ ΡΠ½ΠΈΠ²Π΅ΡΡΠΈΡΠ΅ΡΠ΅. ΠΠ½Π½ ΠΈ ΠΠΈΠ·ΠΈ ΠΆΠΈΠ»ΠΈ Π² ΡΠΎΠ³Π»Π°ΡΠΈΠΈ Π½Π΅ΠΊΠΎΡΠΎΡΠΎΠ΅ Π²ΡΠ΅ΠΌΡ ΠΏΠΎΡΠ»Π΅ ΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π¨Π°Π΄Π΅, Π½ΠΎ Π² ΠΈΡ ΡΠ΅ΠΌΡΠ΅ Π΄ΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ Π±ΡΡΡΡΠΎ Π½Π°ΡΡΡΠΏΠΈΠ»ΠΈ ΡΡΡΠ΄Π½ΡΠ΅ Π²ΡΠ΅ΠΌΠ΅Π½Π°, ΡΡΠΏΡΡΠ³ΠΈ ΡΠ΅ΡΠΈΠ»ΠΈ ΡΠ°Π·Π²Π΅ΡΡΠΈΡΡ. Π’ΠΎΠ³Π΄Π° Π¨Π°Π΄Π΅ Π±ΡΠ»ΠΎ Π²ΡΠ΅Π³ΠΎ 4 Π³ΠΎΠ΄Π°, Π½Π΅ΠΌΠ½ΠΎΠ³ΠΈΠΌ ΡΡΠ°ΡΡΠ΅ Π±ΡΠ» Π΅Π΅ Π±ΡΠ°Ρ ΠΠ°Π½ΡΠΈ, ΠΈ ΠΌΠ°ΠΌΠ° ΡΠ΅ΡΠΈΠ»Π° ΠΏΠ΅ΡΠ΅Π²Π΅Π·ΡΠΈ ΠΈΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½ Π²ΡΠΊΠΎΡΠ΅ ΠΏΠΎΡΠ»Π΅ ΡΠ°ΡΡΠΎΡΠΆΠ΅Π½ΠΈΡ Π±ΡΠ°ΠΊΠ°. ΠΠΎ Π²ΡΠ΅ΠΉ Π²ΠΈΠ΄ΠΈΠΌΠΎΡΡΠΈ, ΠΌΠ°ΡΡ ΡΠΎΠ³Π΄Π° ΠΏΡΠΈΠ½ΡΠ»Π° ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅: Π² ΠΠ½Π³Π»ΠΈΠΈ Ρ Π΄Π΅ΡΠ΅ΠΉ Π±ΡΠ»ΠΎ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎΠ΅ Π΄Π΅ΡΡΡΠ²ΠΎ. Π¨Π°Π΄Π΅ ΠΎΡΠ΅Π½Ρ ΠΌΠ½ΠΎΠ³ΠΈΠΌ ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°Π»Π°ΡΡ β Π΄Π΅Π²ΡΡΠΊΠ΅ Π½ΡΠ°Π²ΠΈΠ»Π°ΡΡ ΠΌΠΎΠ΄Π°, ΡΠ°Π½ΡΡ, Π²Π΅ΡΡ ΠΎΠ²Π°Ρ Π΅Π·Π΄Π° ΠΈ ΠΏΠ΅Π½ΠΈΠ΅, ΠΊΠΎΡΠΎΡΡΠΌ ΠΎΠ½Π° ΠΎΠ²Π»Π°Π΄Π΅Π»Π° Π² ΠΌΠ΅ΡΡΠ½ΡΡ ΠΊΠ»ΡΠ±Π°Ρ .
ΠΡΡΡΠ΅Π΅ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΠ΅ Π¨Π°Π΄Π΅ Π½Π°ΡΠ°Π»Π° ΠΏΠΎΠ»ΡΡΠ°ΡΡ Π² Π·Π½Π°ΠΌΠ΅Π½ΠΈΡΠΎΠΌ ΠΊΠΎΠ»Π»Π΅Π΄ΠΆΠ΅ Π‘Π΅Π½Ρ-ΠΠ°ΡΡΠΈΠ½Ρ, Π³Π΄Π΅ ΠΎΠ½Π° ΠΎΠ±ΡΡΠ°Π»Π°ΡΡ Π΄ΠΈΠ·Π°ΠΉΠ½Ρ ΠΎΠ΄Π΅ΠΆΠ΄Ρ, ΠΈ, ΠΊΠ°Π·Π°Π»ΠΎΡΡ Π±Ρ, Π½Π°ΡΠ»Π° Π΄Π΅Π»ΠΎ, ΠΊΠΎΡΠΎΡΡΠΌ Π±Ρ Ρ ΠΎΡΠ΅Π»Π° Π·Π°Π½ΠΈΠΌΠ°ΡΡΡΡ ΠΏΠΎ ΠΆΠΈΠ·Π½ΠΈ.
ΠΠΈΡΠΊΠΎΠ³ΡΠ°ΡΠΈΡ Π¨Π°Π΄Π΅
ΠΠΎΡΠ»Π΅ ΠΎΠΊΠΎΠ½ΡΠ°Π½ΠΈΡ ΠΊΠΎΠ»Π»Π΅Π΄ΠΆΠ°, Π² 1977 Π³ΠΎΠ΄Ρ Π¨Π°Π΄Π΅ ΡΠ΅ΡΠΈΠ»Π° ΠΎΡΠΊΡΡΡΡ Π°ΡΠ΅Π»ΡΠ΅ ΠΏΠΎ ΠΏΠΎΡΠΈΠ²Ρ ΠΌΡΠΆΡΠΊΠΈΡ ΠΊΠΎΡΡΡΠΌΠΎΠ² Π²ΠΌΠ΅ΡΡΠ΅ Ρ ΠΏΠΎΠ΄ΡΡΠ³ΠΎΠΉ ΠΠΆΠΎΠ΅ΠΉ ΠΠ΅Π»Π»ΠΎΡ. ΠΠΎ ΡΡΠΎ Π½Π°ΡΠΈΠ½Π°Π½ΠΈΠ΅ ΠΎΠΊΠ°Π·Π°Π»ΠΎΡΡ Π½Π΅ ΡΠ°ΠΊΠΈΠΌ ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²Π½ΡΠΌ, ΠΊΠ°ΠΊ ΠΈΠ·Π½Π°ΡΠ°Π»ΡΠ½ΠΎ ΠΏΠΎΠΊΠ°Π·Π°Π»ΠΎΡΡ ΠΏΡΠΈΡΡΠ΅Π»ΡΠ½ΠΈΡΠ°ΠΌ, ΠΈ Π½Π΅ ΠΏΡΠΈΠ½ΠΎΡΠΈΠ»ΠΎ ΠΈΠΌ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ². Π¨Π°Π΄Π΅ Π½Π°ΡΠ°Π»Π° ΡΠ°Π±ΠΎΡΠ°ΡΡ ΠΌΠΎΠ΄Π΅Π»ΡΡ. ΠΠΎ Π½Π° ΡΡΠΎΠΌ ΠΏΠΎΠΏΡΠΈΡΠ΅ Π΅ΠΉ Π½Π΅ ΡΡΠΆΠ΄Π΅Π½ΠΎ Π±ΡΠ»ΠΎ ΡΡΠ°ΡΡ Π·Π²Π΅Π·Π΄ΠΎΠΉ, Π΄Π° ΠΈ ΡΠ°ΠΌΠ° ΠΎΠ½Π° Π½Π΅ ΡΡΠ²ΡΡΠ²ΠΎΠ²Π°Π»Π° ΡΠ°ΡΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΡ ΠΊ ΡΡΠΎΠΌΡ Π·Π°Π½ΡΡΠΈΡ.
ΠΡΠ΅ ΠΈΠ·ΠΌΠ΅Π½ΠΈΠ»ΠΎΡΡ ΠΏΠΎΡΠ»Π΅ ΡΠΎΠ³ΠΎ, ΠΊΠ°ΠΊ ΠΏΡΠΎΠΈΠ·ΠΎΡΠ»ΠΎ Π΅Π΅ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²ΠΎ Ρ ΠΠΈ ΠΠ°ΡΡΠ΅ΡΠΎΠΌ, ΠΌΠ΅Π½Π΅Π΄ΠΆΠ΅ΡΠΎΠΌ Π³ΡΡΠΏΠΏΡ Arriva. Π’ΠΎΠ³Π΄Π° Π¨Π°Π΄Π΅ ΠΏΠΎΠ½ΡΠ»Π°, ΡΡΠΎ Ρ Π½Π΅Π΅ ΠΏΠΎΡΠ²ΠΈΠ»Π°ΡΡ ΡΡΠ³Π° ΠΊ ΠΌΡΠ·ΡΠΊΠ΅, ΠΈ, ΠΊ ΡΠΎΠΌΡ ΠΆΠ΅, ΠΏΠΎΠ΄Π²Π΅ΡΠ½ΡΠ»Π°ΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΏΡΠΎΡΠ²ΠΈΡΡ ΡΠ΅Π±Ρ Π² ΡΡΠΎΠΌ Π΄Π΅Π»Π΅. ΠΠ΅Π²ΡΡΠΊΡ ΠΏΡΠΈΠ½ΡΠ»ΠΈ Π² Π³ΡΡΠΏΠΏΡ, ΠΎΠ½Π° Π·Π°Π½ΡΠ»Π°ΡΡ Π½Π°ΠΏΠΈΡΠ°Π½ΠΈΠ΅ΠΌ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΠ΅ΡΠ΅Π½, ΡΡΠΎ ΠΏΡΠΈΠ½ΠΎΡΠΈΠ»ΠΎ Π΅ΠΉ ΠΎΠ³ΡΠΎΠΌΠ½ΠΎΠ΅ ΡΠ΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΈΠ΅. ΠΠ½Π° Π²Π½ΠΎΡΠΈΠ»Π° ΡΠ²ΠΎΠΉ Π²ΠΊΠ»Π°Π΄ Π² ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠ²Π°, Π½ΠΎ ΠΈ Π΄Π»Ρ ΡΠ²ΠΎΠ΅Π³ΠΎ ΡΠ΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΈΡ ΡΠΎΠΆΠ΅ ΡΠ²ΠΎΡΠΈΠ»Π°, ΡΠΎΠ·Π΄Π°Π²Π°Ρ ΡΠ΅ΠΊΡΡΡ ΠΈ ΠΏΡΠΎΠ΄ΡΠΌΡΠ²Π°Ρ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΠΈ. ΠΠ°Π»Π΅Π΅ ΠΏΠ΅Π²ΠΈΡΠ° Π¨Π°Π΄Π΅ ΡΡΠΏΠ΅Π»Π° ΠΏΠΎΠ±ΡΠ²Π°ΡΡ Π±ΡΠΊ-Π²ΠΎΠΊΠ°Π»ΠΈΡΡΠΊΠΎΠΉ Π³ΡΡΠΏΠΏΡ Pride, Π½ΠΎ ΠΈ ΡΡΠΎ Π½Π΅ ΠΏΡΠΈΠ½Π΅ΡΠ»ΠΎ Π΅ΠΉ Π²ΡΠ΄Π°ΡΡΠΈΡ ΡΡ ΡΡΠΏΠ΅Ρ ΠΎΠ².
Π 1982 Π³ΠΎΠ΄Ρ Ρ Π¨Π°Π΄Π΅ ΠΏΠΎΡΠ²ΠΈΠ»Π°ΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΎΡΠ½ΠΎΠ²Π°ΡΡ Π³ΡΡΠΏΠΏΡ Sade Π²ΠΌΠ΅ΡΡΠ΅ Ρ ΠΠΎΠ»ΠΎΠΌ ΠΡΠΊΠΎΠΌ, Π‘ΡΡΠ°ΡΡΠΎΠΌ ΠΡΡΡΠΌΠ΅Π½ΠΎΠΌ ΠΈ ΠΠΎΠ»ΠΎΠΌ Π‘ΠΏΠ΅Π½ΡΠ΅ΡΠΎΠΌ ΠΠ΅Π½ΠΌΠ΅Π½ΠΎΠΌ. ΠΡΠΊΠΎΡΠ΅ ΠΊ Π½ΠΈΠΌ ΠΏΡΠΈΡΠΎΠ΅Π΄ΠΈΠ½ΠΈΠ»ΡΡ ΠΠ½Π΄ΡΡ Π₯Π΅ΠΉΠ». ΠΠ½ΠΈ ΡΡΠ°Π·Ρ ΠΆΠ΅ ΡΡΠ°Π»ΠΈ Π²ΡΠΏΡΡΠΊΠ°ΡΡ Π°Π»ΡΠ±ΠΎΠΌΡ ΠΎΠ΄ΠΈΠ½ Π·Π° Π΄ΡΡΠ³ΠΈΠΌ, ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡ ΡΠ°Π½Π½ΠΈΠ΅ Π½Π°ΡΠ°Π±ΠΎΡΠΊΠΈ Π¨Π°Π΄Π΅. Π 1984 Π³ΠΎΠ΄Ρ ΠΏΠΎΡΠ²ΠΈΠ»Π°ΡΡ ΠΏΠ»Π°ΡΡΠΈΠ½ΠΊΠ° Diamond Life, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΡΠΈΠ½Π΅ΡΠ»Π° Π³ΡΡΠΏΠΏΠ΅ ΠΌΠΈΡΠΎΠ²ΡΡ ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΡΡΡ, Π² 1985 Π±ΡΠ» Π²ΡΠΏΡΡΠ΅Π½ Π°Π»ΡΠ±ΠΎΠΌ Promise, Π² 1988 β Stronger Than Pride. Π 1985 Π³ΠΎΠ΄Ρ Π΅Π΅, ΠΊ ΡΠΎΠΌΡ ΠΆΠ΅, ΠΏΡΠΈΠ³Π»Π°ΡΠΈΠ»ΠΈ ΡΡΠ³ΡΠ°ΡΡ Π² ΡΠΈΠ»ΡΠΌΠ΅ Absolute Begginers, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ ΠΎΠ½Π° ΠΈΡΠΏΠΎΠ»Π½ΠΈΠ»Π° ΡΠΎΠ»Ρ ΠΏΠ΅Π²ΠΈΡΡ.
Π¨Π°Π΄Π΅ ΠΌΠ½ΠΎΠ³ΠΎ ΠΏΠ΅ΡΠ΅Π΅Π·ΠΆΠ°Π»Π°: ΡΠ½Π°ΡΠ°Π»Π° ΠΎΠ½Π° ΠΎΠΊΠ°Π·Π°Π»Π°ΡΡ Π² ΠΡΠΏΠ°Π½ΠΈΠΈ, Π² 1990 Π³ΠΎΠ΄Ρ ΠΏΠΎΡΠ΅Π»ΠΈΠ»Π°ΡΡ Π² ΠΠΎΠ½Π΄ΠΎΠ½Π΅, Π° Π² 1995 Π³ΠΎΠ΄Ρ ΡΠ΅Ρ Π°Π»Π° Π½Π° Π―ΠΌΠ°ΠΉΠΊΡ. ΠΠ° Π³ΠΎΠ΄ Π΄ΠΎ ΡΡΠΎΠ³ΠΎ, Π² 1994 Π³ΠΎΠ΄Ρ, Π±ΡΠ» Π·Π°ΠΏΠΈΡΠ°Π½ Π°Π»ΡΠ±ΠΎΠΌ Π»ΡΡΡΠΈΡ ΠΏΠ΅ΡΠ΅Π½ The Best of Sade, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ Π·Π½Π°ΠΌΠ΅Π½ΠΈΡΠ°Ρ Π³ΡΡΠΏΠΏΠ° ΡΠ°ΡΠΏΠ°Π»Π°ΡΡ, Π½ΠΎ Π½Π΅Π½Π°Π΄ΠΎΠ»Π³ΠΎ. Π 2000 Π³ΠΎΠ΄Ρ ΠΎΠ½ΠΈ Π²ΠΎΡΡΠΎΠ΅Π΄ΠΈΠ½ΠΈΠ»ΠΈΡΡ ΠΈ Π·Π°ΠΏΠΈΡΠ°Π»ΠΈ Π΅ΡΠ΅ ΠΎΠ΄ΠΈΠ½ Π°Π»ΡΠ±ΠΎΠΌ, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ Π΅ΡΠ΅ Π΄ΠΎΠ»Π³ΠΎ Π½Π΅ Π·Π°ΡΠ²Π»ΡΠ»ΠΈ ΠΎ ΡΠ΅Π±Π΅, Π²ΠΏΠ»ΠΎΡΡ Π΄ΠΎ 2010 Π³ΠΎΠ΄Π°. Π’ΠΎΠ³Π΄Π° Π¨Π°Π΄Π΅ Π²ΡΠΏΡΡΡΠΈΠ»Π° Π°Π»ΡΠ±ΠΎΠΌ Soldier of Love.
ΠΠΈΡΠ½Π°Ρ ΠΆΠΈΠ·Π½Ρ Π¨Π°Π΄Π΅
ΠΠ΅ΡΠ²ΡΠΌ ΠΌΡΠΆΠ΅ΠΌ ΠΏΠ΅Π²ΠΈΡΡ Π¨Π°Π΄Π΅ ΡΡΠ°Π» ΠΠ°ΡΠ»ΠΎΡ Π‘ΠΊΠΎΠ»Ρ, ΠΈΡΠΏΠ°Π½ΡΠΊΠΈΠΉ ΠΊΠΈΠ½ΠΎΡΠ΅ΠΆΠΈΡΡΠ΅Ρ. ΠΠ½ΠΈ ΠΏΠΎΠΆΠ΅Π½ΠΈΠ»ΠΈΡΡ Π² 1989 Π³ΠΎΠ΄Ρ Π² ΠΎΠ΄Π½ΠΎΠΌ ΠΈΠ· ΡΡΠ°ΡΠΈΠ½Π½ΡΡ Π·Π°ΠΌΠΊΠΎΠ² ΠΠ°Π΄ΡΠΈΠ΄Π°. ΠΡ ΡΡΠ°ΡΡΡΠ΅ Π½Π΅ ΠΏΡΠΎΠ΄Π»ΠΈΠ»ΠΎΡΡ Π΄ΠΎΠ»Π³ΠΎ: ΠΊΠΎΠ³Π΄Π° Π² 1995 Π³ΠΎΠ΄Ρ ΠΏΠ΅Π²ΠΈΡΠ° ΠΎΠΊΠ°Π·Π°Π»Π°ΡΡ Π½Π° Π―ΠΌΠ°ΠΉΠΊΠ΅, ΠΎΠ½Π° Π½Π°ΡΠ»Π° Π½ΠΎΠ²ΠΎΠ³ΠΎ Π²ΠΎΠ·Π»ΡΠ±Π»Π΅Π½Π½ΠΎΠ³ΠΎ, ΠΠΎΠ±Π±ΠΈ ΠΠΎΡΠ³Π°Π½Π°. Π£ Π½ΠΈΡ ΠΏΠΎΡΠ²ΠΈΠ»Π°ΡΡ Π΄ΠΎΡΡ ΠΠ»Π° Π² 1996 Π³ΠΎΠ΄Ρ.
sashadesade.xxx Competitive Analysis, Marketing Mix and Traffic
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